FINAL
B3

Ecouteur intra-auriculaire, boîtier en acier inoxydable, câble OFC originaux longueur 1.2m, poids 36g
Actuellement indisponible
Prix catalogue
CHF 549.00

Description

Sound design with consideration to the relationship
between spatial impression and dynamic range of
music as well as physical characteristics of earphones and headphones.
High clarity over entire frequency range and
beautiful high range sound enable to hear the delicate touch of
a piano and guitar picking perfectly.
Sound design has been undertaken with consideration to the relationship between the spatial impression and dynamic range of music, and the physical characteristics of earphones and headphones. Through research into the relationship between spaciousness, clarity and dynamic range of musical recordings, and the physical characteristics of earphones and headphones, we have learned that deeper enjoyment of music can be achieved through the target curves and driver design well suited to the sound design of music recordings.

The B3 model was designed with particular emphasis on clarity. It caters to those who wish to have the delicate sound of each musical instrument delivered gorgeously even from live recordings, and enjoy tight vocals from animated soundtracks and EDM. It comes equipped with a standard silver coat cable and employs an MMCX connector that makes it possible to switch cables in the event of a severed connection.
Features
Sound design with consideration to the relationship between the spatial impression and dynamic range of music as well as the physical characteristics of earphones and headphones
Sound design for these models has been undertaken with attention to the relationship between spatial impression and dynamic range of music, and the physical characteristics of earphones and headphones.
We have categorized sound creation on music recording onto these two axes: spatial impression and
dynamic range.

One way of thinking regards the distance perception. Classical and jazz recordings are thought to be performed with emphasis on aspects of spaciousness, such as sense of distance, broadness and reverberation. On the other hand, rock, pops and many of the recent animation soundtrack recordings, spaciousness is not as highly emphasized. There is thought to be greater emphasis on clarity, which brings the various instruments and vocals to the front.

Another approach is dynamic range - in other words, changes in loudness over time. If the dynamic range is wide, naturally it is possible to use the change in loudness over time to achieve a more dynamic expression of music. But, there are some types of music for which narrower dynamic range recordings are preferable to allow each of the instruments and vocals to ordinarily appear before the listener’s eyes.

The difference between these two ways of thinking pertains not to which is superior but rather differences in how music is composed and what is demanded of it. With regard to classical music, and that played by orchestra in particular, the spatial orientation of instruments is particularly important. Stringed instruments are positioned nearest to the audience with wind and percussion placed behind them. Should the balance between the spatial orientation and volume of each group of instruments collapse, the music would disintegrate. For that reason, uniform clarity of sound that allows each instrument to appear before the eyes of the listener is not demanded of this type of music. Even for classical music, a string quartet, for example, would have a narrow dynamic range and the clarity of each instrument would be more prominent. For rock and pops on the other hand, spaciousness is not as necessary as for classical music, and so there is greater emphasis on clarity than spaciousness.
These preconditions are very important, particularly for earphone and headphone listening, and it has become apparent that the implementation of appropriate target curves and driver design result in
deeper enjoyment of music.

Please refer to the below graph with spaciousness and clarity of music set on the X axis and dynamic range set on the Y axis. Whereas our E3000 model was designed with aim at the very center of the graph, the B series is positioned outside that area.
In other words, in comparison to the E series, the B series is positioned more as a model to listen to a specific type of music, and you might become so enthralled with it that you can’t do without it. This attraction is typical of the products we produce.

The B3 model was designed with particular emphasis on clarity. It caters to those who wish to have the delicate sound of each musical instrument delivered gorgeously even from live recordings, and enjoy tight vocals from animated soundtracks and EDM. It comes equipped with a standard silver coat cable and employs an MMCX connector that makes it possible to switch cables in the event of a severed connection.

Spécifications

  • Boîtier : Acier inoxydable (argent mat)
  • Pilote : 2BA (sans réseau)
  • Connecteur :MMCX
  • Câble : câble revêtu d'argent OFC
  • Sensibilité : 102dB
  • Impédance : 19Ω
  • Poids : 36g
  • Longueur du câble : 1.2m
Appelez
nos conseillers
de 8H à 17H
021 925 30 00
Appelez
nos conseillers
de 8H à 17H
021 925 30 00